Where Art Checks In
Saint Kate transforms a former corporate hotel into Milwaukee’s cultural living room, where contemporary art, live music, performance and playful design shape the entire stay.
Why DNA Hotels loves it
Stonehill Taylor reinvented a conventional InterContinental as a multidisciplinary arts hotel, with galleries, performance spaces and artworks integrated throughout the 219 rooms and public areas.
More than 150 works bring together internationally recognised names and Midwestern artists, while rotating exhibitions ensure the hotel never becomes a static collection.
Record players in the rooms, nightly live music and artist-designed Canvas Rooms push the concept far beyond simply hanging art on hotel walls.
The Stay
A former corporate hotel transformed into a living, breathing celebration of contemporary art.
Art hotels are hardly unusual anymore. Saint Kate – The Arts Hotel is interesting because it takes the idea much further. When Greg and Linda Marcus decided not to renew the management contract for the rather anonymous 1980s InterContinental they owned in downtown Milwaukee, they saw an opportunity to create something the city did not yet have: a hotel where visual art, music, theatre and performance would be fundamental to the experience rather than decoration added afterwards. New York studio Stonehill Taylor was brought in to remake the building around that idea. The result is part hotel, part gallery, part performance venue — and deliberately open to Milwaukee as much as to overnight guests.
A Collection You Live With
The art begins almost immediately. Deborah Butterfield’s monumental bronze horse greets arrivals in the lobby, while works by artists including Robert Rauschenberg and Alex Katz sit alongside pieces by artists from Milwaukee and the wider Midwest. Linda Marcus, herself an artist and collector, worked closely with the hotel’s curatorial team to build a collection of more than 150 works. Several dedicated gallery spaces host changing exhibitions and are free to visit, allowing the programme to evolve long after the hotel’s opening. But Saint Kate becomes more interesting when the art escapes those galleries. Sculpture appears beside restaurant tables. Installations occupy corridors. Artwork hides underneath furniture or inside closets. Charity White’s eerily lifelike The Dinner Table can momentarily convince passing guests that two people are simply sitting together in the lobby. Discovery is part of the experience.
Designed Around Performance
Stonehill Taylor reorganised the former hotel specifically to make these encounters possible. The bar was moved into the centre of the lobby, turning it into a social anchor, while its former position beside the street-facing windows became a lounge where performances can be visible from outside. Dedicated exhibition rooms, flexible gathering spaces and a black-box theatre extend the cultural programme beyond visual art. Music is particularly important. Live performances animate the hotel throughout the week, while every guestroom has its own record player and access to an eclectic vinyl collection. Saint Kate is therefore less museum-like than its art credentials might suggest. You are encouraged to order a drink, listen to music, talk about what you are seeing and occasionally encounter something completely unexpected.
Sleeping Inside the Art
The 219 guestrooms continue the concept in smaller and sometimes surprisingly playful ways. Artwork was selected specifically to avoid the anonymous quality of conventional “hotel art”. Printed lampshades, illustrated shower tiles and murals hidden inside closets make even functional details part of the creative programme. Then there are the Canvas Rooms. Individual artists are given control of an entire guestroom and invited to transform it into an immersive installation. The result can range from contemplative to gloriously excessive, but these remain functioning hotel rooms — meaning guests can quite literally spend the night inside an artwork. Against all this creativity, Stonehill Taylor keeps the underlying interiors relatively restrained, allowing the art to provide the disruption.
Art with an Appetite
The cultural idea continues into the restaurants and bars rather than stopping at the gallery door. Aria interprets Wisconsin and Midwestern cooking through a contemporary lens, while its interiors contain artworks that can be playful, provocative and occasionally surreal. Elsewhere, Proof brings a more casual pizza-and-cocktails atmosphere, and Giggly adds the unexpected flourish of a Champagne bar. The important thing is that these spaces attract Milwaukee residents too. Saint Kate was conceived as a public cultural destination inside a private hotel, and its restaurants, bars, exhibitions and performances give locals plenty of reasons to walk through the door without ever booking a room.
Milwaukee’s Cultural Living Room
Its downtown position strengthens that connection. The Milwaukee Repertory Theater and Pabst Theater are virtually neighbours, the RiverWalk is a few blocks away, and the Historic Third Ward is within walking distance. Saint Kate feels less like an isolated arts hotel than another piece of Milwaukee’s cultural infrastructure. And that may be its greatest achievement. Plenty of hotels collect important art. Saint Kate allows art to change how the hotel actually functions — where people gather, what happens in the lobby, what guests discover in their rooms and why locals keep returning. It is not a hotel decorated with culture. It is a hotel designed to participate in it.
Information
At a glance
Architecture
Opened / Renovated
2019 (previously InterContinental)
Size matters
219 rooms & suites (28-42m2) (301-452 sq ft)
Interior design
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